{"id":321,"date":"2015-08-19T15:05:09","date_gmt":"2015-08-19T14:05:09","guid":{"rendered":"http:\/\/www.chagallsansm.fr\/?p=321"},"modified":"2024-05-06T11:14:19","modified_gmt":"2024-05-06T10:14:19","slug":"la-femme-qui-marchait-dans-les-portes-projet-2010-2013","status":"publish","type":"post","link":"https:\/\/www.chagallsansm.fr\/index.php\/2015\/08\/19\/la-femme-qui-marchait-dans-les-portes-projet-2010-2013\/","title":{"rendered":"2009-2013 || La femme qui marchait dans les portes"},"content":{"rendered":"\n<p>En France chaque ann\u00e9e, plus de 150 femmes meurent sous les coups de leur compagnon, pr\u00e8s d&rsquo;une femme sur dix est victime de violences conjugales. Des chiffres<\/p>\n\n\n\n<p>En tant que femme, en tant qu&rsquo;artiste, Claire Engel s&rsquo;nterroge. Comment se perd-on de vue? O\u00f9 se situer dans notre propre existence? Comment parler de l&rsquo;invisible? Comment montrer l&rsquo;inaudible? Pour tenter de r\u00e9pondre \u00e0&nbsp;ces questions, elle initie un cycle de cr\u00e9ations sur ce sujet complexe:&nbsp;<em>La femme qui marchait dans les portes.<br><\/em>Les \u00e9tapes de r\u00e9alisation du projet sont les chapitres d&rsquo;une m\u00eame histoire traitant chacun d&rsquo;une facette du prisme des violences conjugales. Ce processus de cr\u00e9ation pose les principes \u00e9tages des narrations o\u00f9 les formes s&rsquo;\u00e9crivent par croisements.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><a href=\"http:\/\/www.chagallsansm.fr\/index.php\/2015\/08\/19\/making-up-2\/\"><strong><em data-wp-editing=\"1\"><img decoding=\"async\" loading=\"lazy\" class=\" wp-image-86 size-medium alignleft\" src=\"http:\/\/www.chagallsansm.fr\/wp-content\/uploads\/2015\/06\/image-300x169.png\" alt=\"image\" width=\"300\" height=\"169\" srcset=\"https:\/\/www.chagallsansm.fr\/wp-content\/uploads\/2015\/06\/image-300x169.png 300w, https:\/\/www.chagallsansm.fr\/wp-content\/uploads\/2015\/06\/image.png 481w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>Making up<\/em><\/strong><\/a><\/h2>\n\n\n\n<p>Installation vid\u00e9o qui traite des \u00e9motions paradoxales cohabitant au sein d&rsquo;une victime. Cr\u00e9\u00e9e en 2010.<br><br><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><em><strong><a href=\"http:\/\/www.chagallsansm.fr\/index.php\/2015\/06\/22\/the-man-i-love\/\"><img decoding=\"async\" loading=\"lazy\" class=\" wp-image-246 size-medium alignleft\" src=\"http:\/\/www.chagallsansm.fr\/wp-content\/uploads\/2015\/06\/The-man-I-love-300x192.png\" alt=\"The man I love\" width=\"300\" height=\"192\" srcset=\"https:\/\/www.chagallsansm.fr\/wp-content\/uploads\/2015\/06\/The-man-I-love-300x192.png 300w, https:\/\/www.chagallsansm.fr\/wp-content\/uploads\/2015\/06\/The-man-I-love.png 582w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><a href=\"http:\/\/www.chagallsansm.fr\/index.php\/2015\/06\/22\/the-man-i-love\/\">The man I Love<\/a><\/strong><\/em><\/h2>\n\n\n\n<p>Les performances de rue<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">&nbsp;<\/h2>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><em><strong><a href=\"http:\/\/www.chagallsansm.fr\/index.php\/2015\/06\/01\/la-femme-qui\/\"><br><img decoding=\"async\" loading=\"lazy\" class=\" wp-image-69 size-medium alignleft\" src=\"http:\/\/www.chagallsansm.fr\/wp-content\/uploads\/2015\/06\/lafemmequi-300x230.jpg\" alt=\"lafemmequi\" width=\"300\" height=\"230\" srcset=\"https:\/\/www.chagallsansm.fr\/wp-content\/uploads\/2015\/06\/lafemmequi-300x230.jpg 300w, https:\/\/www.chagallsansm.fr\/wp-content\/uploads\/2015\/06\/lafemmequi.jpg 800w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>La femme qui<\/a><\/strong><\/em><\/h2>\n\n\n\n<p>Forme th\u00e9\u00e2trale cr\u00e9\u00e9e en 2012. <em>La femme qui<\/em> interroge le silence, entre dans la vie d&rsquo;un couple amoureux, questionne son quotidien caboss\u00e9 fait d&rsquo;irrationnelles peurs et d&rsquo;apparence. Et finalement fait entendre la voix d&rsquo;une femme singuli\u00e8re.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><em><strong><a href=\"http:\/\/www.chagallsansm.fr\/index.php\/2016\/10\/10\/la-femme-qui-rdced\/\" target=\"_blank\" rel=\"noopener\"><br><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-487 size-medium alignleft\" src=\"http:\/\/www.chagallsansm.fr\/wp-content\/uploads\/2016\/10\/lafemmequirdced-300x201.jpg\" alt=\"\" width=\"300\" height=\"201\" srcset=\"https:\/\/www.chagallsansm.fr\/wp-content\/uploads\/2016\/10\/lafemmequirdced-300x201.jpg 300w, https:\/\/www.chagallsansm.fr\/wp-content\/uploads\/2016\/10\/lafemmequirdced.jpg 880w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/strong><\/em><a href=\"http:\/\/www.chagallsansm.fr\/index.php\/2016\/10\/10\/la-femme-qui-rdced\/\" target=\"_blank\" rel=\"noopener\"><em><strong>La femme qui&nbsp;rdced<\/strong><\/em><\/a><\/h2>\n\n\n\n<p>Nouveau Format du Projet <em>La femme qui marchait dans les portes.<br><em>L<\/em><em>a femme qui Rdced<\/em> <\/em>est l&rsquo;entr\u00e9e en r\u00e9sonance du film<em> <em>Making up&nbsp;<\/em><\/em>dans son installation (cr\u00e9\u00e9 en 2010) et du monologue final du spectacle (cr\u00e9\u00e9 en 2012).<em><br><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>En France chaque ann\u00e9e, plus de 150 femmes meurent sous les coups de leur compagnon, pr\u00e8s d&rsquo;une femme sur dix est victime de violences conjugales. Des chiffres En tant que femme, en tant qu&rsquo;artiste, Claire Engel s&rsquo;nterroge. Comment se perd-on de vue? O\u00f9 se situer dans notre propre existence? Comment parler de l&rsquo;invisible? Comment montrer [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":325,"comment_status":"closed","ping_status":"closed","sticky":true,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.chagallsansm.fr\/index.php\/wp-json\/wp\/v2\/posts\/321"}],"collection":[{"href":"https:\/\/www.chagallsansm.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.chagallsansm.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.chagallsansm.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.chagallsansm.fr\/index.php\/wp-json\/wp\/v2\/comments?post=321"}],"version-history":[{"count":16,"href":"https:\/\/www.chagallsansm.fr\/index.php\/wp-json\/wp\/v2\/posts\/321\/revisions"}],"predecessor-version":[{"id":1477,"href":"https:\/\/www.chagallsansm.fr\/index.php\/wp-json\/wp\/v2\/posts\/321\/revisions\/1477"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.chagallsansm.fr\/index.php\/wp-json\/wp\/v2\/media\/325"}],"wp:attachment":[{"href":"https:\/\/www.chagallsansm.fr\/index.php\/wp-json\/wp\/v2\/media?parent=321"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.chagallsansm.fr\/index.php\/wp-json\/wp\/v2\/categories?post=321"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.chagallsansm.fr\/index.php\/wp-json\/wp\/v2\/tags?post=321"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}